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Forum2024-01-30 18:03:00

How the oligarch Frangaj denied the injured journalist in "January 21" and privatized the property of the Hysa family in Kinostudio

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How the oligarch Frangaj denied the injured journalist in "January 21"

On January 21, 2011, Sandri denied the injury of the journalist who worked near his television, Fatos Mahmutaj, as Berisha had meanwhile said that the news about the journalist's injury was a trick by Edi Rama to spread panic.

Sali Berisha and his son-in-law Jamarbër Malltez are finding all kinds of tricks and alibis to cover up corruption and money laundering with the former Partizani Club, while the truth is as simple as it is clear, as has been proven by the SPAK investigation .

The groom owned 113 m2 of land and built 19 towers. He had 39 thousand euros of legal money and won 5.4 million euros. And he says that they are hitting him because he denounced the incinerators!

( There are strong suspicions that the groom was a false heir and that he did not even belong to 113 m2 of land, as his ancestors were once compensated by Fascist Italy, but the documents have disappeared from the State Archive, when this institution was run by the groom's father Expropriation documents exist for all border properties ).

Meanwhile, the Hysa Family had 165,000 m2 in the former Kinostudio and received 30 years of wandering in the courts, contempt and ridicule.

Abit's father-in-law rented a part of the Hysa family's property to Sandër Frangaj, who installed the television, solar panels, etc., after he had come from Lezha to Tirana as a fan of Tefta Rad.

On January 21, 2011, Sandri denied the injury of the journalist who worked near his television, Fatos Mahmutaj, as Berisha had meanwhile said that the news about the journalist's injury was a trick by Edi Rama to spread panic.

"You gave it your all, I even heard one of your televangelists say that the bullet took me, then it turned out that the bullet did not take him. I felt sorry, but fortunately it turned out that the bullet did not take him and he said that I was pushed." said Berisha on the night of January 21, 2011, at a time when Mahmutaj was in the hospital.

When Fatos Mahmutaj refused the offer-order to deny the truth, he was not allowed to testify live in the television studio where he worked.

Wounded, Fatos Mahmutaj was isolated for a few hours in Sandër Frangaj's television rooms. He was then denied and expelled from television as a danger that could disrupt Sandri's bargain with the power of Sali Berisha.
The journalist was taken by some of his colleagues to the hospital. That night there was also a plan to eliminate him, as it was operated with the witnesses Remzi Hoxha, Kosta Trevicka, Eduard Belegu, Qazim Tepshi, etc., but the journalist was saved thanks to the interest of several foreign embassies in his health.

It was the time when several ministers and directors of Berisha were competing to see who would create the most advertisements for Sandri. Over 12 million euros of public money went into his pockets.

Coincidence or not, but after hiding the wounding of his journalist, Fatos Mahmutaj, Sandër Frangaj has started to privatize land, part of the property of the Hysa family in the former Kinostudio.

For the privatization of the property of the Hysa family from Frangaj, Berisha has engaged the relevant structures of his state, just as he lined up the state to pass the former Partizani Club into the hands of his son-in-law.

In addition to the privatization of the Hysa family's property, Frangaj also expanded the occupation map. He has even erected solar panels on a surface of the Hysa family, recognized by the decision of the Supreme Court.

Great courage to seize and use the property of another, although with the permission and guarantee of power, as well as with the justice of Adriatik Llalla and Gjin Gjon, a justice that presented strength every evening to the duo Berisha-Meta.

As a mechanism for robbing the property of the Hysa family, the board of directors of Albafilm, a mafia group controlled by the Ministry of Economy and the Ministry of Culture, was used.

SPAK and BKH only need a few hours to identify the masterminds of this black history of corruption and injustice.

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