FLASH
Shkruar nga Frrok Çupi
What drew the prosecutor into the great legal sin?
Why did SPAK prosecutor Ols Dado create this monstrous alibi?
The prosecutor, on the first page of the indictment, determined the legal identity of his victim. Erion Veliaj's identity is stamped as 'convicted'.
That is, Erion Veliaj was convicted by the court of first instance of?... (This is not found). 'Convicted of the crime?... (This does not exist either). Convicted in courts abroad, or when he was a teenager?... (This is also zero)... Nothing else is found, except 'convicted'.
What is presumed to happen after this?
After this, the Erion Veliaj case will be sent to court where he will be tried.., for what? The investigation and trial experts, who are also political opponents, are saying that in the hundreds of pages of file there is no evidence of guilt, no legal argument, no proven truth that Mr. Veliaj has committed corruption. However, the questions will begin against him:
Name?...
Birthday?...
Education?...
Judicial status?: 'Convicted!'
-No! I am uncondemned.
Here the court session is interrupted. The alibi has been universally proclaimed as 'decisive evidence in the final issue of guilt or innocence'. The prosecutor's 'convicted' alibi falls and immediately the court client is set free...; and then what?
If the prosecution really has evidence that a citizen named Erion Veliaj has committed corruption, then at this moment SPAK and BKH are searching for the person 'Erion Veliaj... convicted', according to Dado. SPAK made the first written attempt by searching for him in the legal records, but the State Police said 'the convicted Erion Veliaj does not exist'. The one in prosecutor Dado's file is not him.
Dado, as a prosecutor, deliberately created a monstrous alibi against Veliaj. But what drew him into the great legal sin?
First instinct, not proof:
Dado worked with instinct and not with legal evidence. His instinct told him 'I will do to you what no one else can do!', based on base motives. The first motive was revenge because the mayor, Veliaj, was actually a witness to Dado building buildings without declaring them, in violation of the law, as a SPAK prosecutor. The second was that Dado, as a prosecutor, sought extrajudicial privileges, but did not receive them. Then his instinct began to work against the absent 'giver'.
Second, war by any means:
The prosecutor only has legal means at his disposal. Legal means do not guarantee 'success' for Ols Dado. Then he starts drawing, just like in one of the rooms of the Psychiatrist. Erion Veliaj's wife is drawn as a warehouse of 'Gabi' where he has collected thousands of dresses. Bullshit!. It is sad how people who are eager for 'as much as possible' draw themselves to another; Olsi would like not only dresses, but palaces or other privileges. He also started drawing Ajola's father, the son of a great writer in Albanian. He drew him as if he had never been to his house, but his house had been occupied by his son-in-law before he became a son-in-law (Erion Veliaj) with his child's toys in the form of heels. A mixture of phobias and obsessions, alias Berisha, who called his victims of January 21 as 'killed with poisoned umbrellas'.
The third, 'defense hysteria', according to Freud.
Freud's youngest patient, daughter D., wanted to escape from the nightmare. She had read in the newspaper that 'some people had been imprisoned because they had been caught laundering money'. The girl connected herself with those perpetrators of crime. It occurred to her that every letter was a 'cleaned' banknote. Then she began to tear up every newspaper, book, magazine, napkin..., to escape. Ols Dado did the same thing, but in the opposite sense: He collects letters, endless letters to create the nightmare 'Veliaj' in a 400-page file. Even his opponents are saying that it is a file empty of evidence'. His terrifying desire has led him to stamp Erion Veliaj as 'convicted', even before the trial. Like Freud's patient.
The witnesses who saw the whole scene until today do not see Erion Veliaj in the 'convicted' alibi. Then it falls. Or we are all in two copies: One convicted, the other - unconvicted; one black, the other blonde./ Pamphlet
Lini një Përgjigje