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Dosja e zezë2025-04-23 10:46:00

Alex's "brother", the thieves' last shield against justice

Shkruar nga Sokol Pepushaj

Alex's "brother", the thieves' last shield against justice

Every time Edi Rama bows down to his thieves, the arrogance towards justice that he dares not touch is revived. Bablok, leaning on "Noc Rroku", erasing "brother" Alex Soros from the dictionary, carries on his back the troubles of politicians and mafiosi who tremble at justice...

Edi Rama, who once did not hesitate to call Alex Soros "brother", now seems to have chosen another path, that of silence. As international pressure grows on the shoulders of his government, the prime minister has decided to bear the full weight of the troubles of the thieves and mafiosi who surround him.

Every time Rama bows his head in front of his political and economic clients, he raises his arrogance towards the Albanian justice system, which, according to him, does not even have the courage to answer the phone. Now, the prime minister does not feel any responsibility for the actions of his ministers, deputies or officials, not even for the mafias closely linked to power, turning governance into a burden that he carries on his own shoulders.

Ironically, Rama has hung his head on "Noc Rroku", remaining in a limbo between fear and arrogance. He has already erased "brother Alex" from the public vocabulary, but their ties remain strong and he feels the weight of the Soros responsibilities every day. On the other hand, biological brother Olsi, who has been publicly shaken in front of crowds, has become a symbol of popular hatred.

In this chaotic situation, the crowd is ready to react, while the thieves of high politics, from the position to the opposition, are awaiting the inevitable day of transition from state offices to prison cells.

This decade seems to have entered the final phase of the belt: politicians are frantically fighting to keep their pants wet for fear of inevitable punishment. Edi Rama, between his personal distress and the collective fear of the political caste, is carrying on his back the entire weight of the sins that SPAK is unable to punish.

In this absurd political theater, Rama also plays the role of the teller who defines the thieves and the honest, while preparing the last dance in the Albanian political arena, the dance that seems to be dancing towards the cells of the historical prison, where "the candle was lit on the head of the blacks"./ Pamphlet

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