FLASH
Shkruar nga Pamfleti
The daily time in these moments is showing that if there really was a Simaku tragedy, the mediocrity that does not know what the human personality is is turning it into a comedy.
The case of Parashqevi Simaku seems to have now passed from abstract analysis to concrete analysis.
But only as an opinion, because the singer's life is not being told by the singer herself, despite the fact that she is alive.
The oral histories of society are, of course, popular literature.
Popular literature is sustained by the desire to talk about the events or lives of others, and more often than not these are rumors that follow up to a rumor.
I.
We must always keep in mind that history in its analysis of the fact as an individual life of a historical figure, must pass from the general, to the historical figure that is being talked about, and that contain the life events in the social activity of the historical figure.
Currently, everywhere in the Albanian world, the figure of the very popular singer Parashqevi Simaku is being talked about.
The singer had been without any news for 8 years, and suddenly everything came to the stage to show her tragedy as a current event. But within popular psychology, and perhaps far from the truth.
The history of a country is a generalization of a certain time for the life of a certain society in the sense of historical time.
Therefore, the logic of the reasoning of an event for a historical figure must always go from the analysis of the general life of the society he or she belongs to, to the life of the individual we want to analyze.
And this is not an easy thing that anyone can do.
II.
Let's move on to the Simaku fact that you are continuing to tell, at a time when Ms. Simaku is in a difficult situation in her life.
This is what the media says in popular rumours, but nothing is being treated as a function of the truth.
A singer with a great personality in a society cannot be analyzed as an individual regardless of who has performed an act with a social charge.
The high analysis of literature has told us that tragedy is separated from comedy by a very small thing. Often a word or two. And the daily time in these moments is showing that if there really was a Simaku tragedy, the mediocrity that does not know what the human personality is is turning it into a comedy.
Why?
Because mediocrity needs events to show it, because it wants to forget itself. That the self is heavy, and to forget it you have to tell tragic events, and these, by telling them, are relieved.
And this is popular literature, which when at the center of these stories is a well-known figure, everyone is under the emotion that everyone will say something about the figure, regardless of whether or not the things that have taken over social life are true.
Imagine if this society saw a literary tragedy on television and this was then conveyed to society as an art function. Has this ever happened in Albania?
Never!
So, the question is who is more superior in Albanian society: art or gossip?
Rumor, of course, is superior.
Then?
Therefore, the Simaku case will continue in popular literature...
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