
Great people who don't hang around the necks of their former readers or viewers.
It has not been long since Zoica Haxho went quietly to the next life.
It went as quietly as a lifetime of 'fingertips' had gone.
The famous ballerina of the great ballets from Moscow to Tirana, never made noise or fuss; but he also had the departure as he played in the 'fingertip' scenes.
Zoica is the creator of unforgettable heroines from Lola in the ballet "Lola" to Franceska in "Franceska da Rimini", Hajria in "Halili and Hajria", Delina in "Delina" and Cuca in "Cuca e maleve", and how many others .
She studied in the Soviet Union and performed as a first dancer in the 'Balshoi Teatër' (Great Theater). Balsshoi was a ballet school in the world, which this year, 2025, turns 200 years old.
Zoica Haxho was declared 'Heroine of Socialist Work'.
Since the day he left, this December on the 1st, he has been remembered only by a single article published 'copy paste' in four or five media.
People who idolize the figure of the artist, idolize as if with their god, frowned because 'Zoica was not talked about..., who else will be talked about if not about this?!'. There are people who, out of love, 'take the soul' of their saint, as is happening with the 'hysteria of art' these days.
Who adores the category of the artist Zoica, this is also of that character that does not "draw out the black water with oil, sighs or pain" from its hero.
Zoica Haxho, had long entered her own time and at the end of the day she died.
When he was the 'Heroine of the Work', he was among the people and the heroes of the work, he rarely shadowed anyone. Then her time went. Even the large textile factory in Berat, where he had spent his childhood, was burnt and looted..., then what would be the point!? Even work, as a word and as a notion, was thrown into the cursed things... Then what did Zoica need anymore who held the title just like the builders of hydropower plants, like the designers of irrigation canals, like the great linguists, like the miners...
Zoica didn't show up again, not out of anger or expulsion..., but because she 'finished work'. That was it. Even Ismail Kadare, this great artist of global proportions, in recent years had said bluntly: 'What I had to say, I said it..., now I don't have any more!'
Great people who don't hang around the necks of their former readers or viewers. These are giants with limits, they are not luggers that make light even on the dead oak stump.
One day comes and that's it. 'Dying is art', writes Margret Atwood, writer from Canada. 'As the art of living is the same'.
Where would Zoica Haxho live, in Tallava?
Ever since the combine burned down in the field of Berat, in the field of art, "Tallava art" began to flood. Tallavaja became the fashion of the 'new man'. Zoica could not stop her, nor did it occur to her to go out on the streets, to become the anti-tallava hero (it would be called the anti-time heroine), and she never did this ugliness. Neither Kadare, nor Agolli, nor Zadeja, nor Cingu, nor Mula..., no one was tempted for this war. They paved the way for what was coming, no wonder why it was as ugly as the 'tallavaja' (!).
Tallavaja entered art, entered politics, social relations, courts, churches and mosques, weddings, the poor taste of housewives. Tallavaja is up to the Opera Theater or the University of Arts.
What is this? Thousands of people can ask this question, even though they live with talavans... It is a low culture, without the will to perfection, uncivilized, timeless. It produces no value, only social media clicks. Clicks are like needles with antidote, or bullets..., that kill values.
Zoica would be among this 'art', and that's why she never appeared again.
He didn't have the slightest concern that he wasn't stopping the onslaught of what was coming. Nor why were they remembering the thousands of people who had waited for hours on the steps of the 'Opera in Tirana' until Zoica appeared.
No. Zoica did not live with the idea that the world owes her. The artist, who is an artist, knows that the world owes him nothing. That after all the world was born first.
Lini një Përgjigje